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P R E S S

reviews

REVIEWS

ResMusica

"Lewis’ music never falls into the obvious literal illustrations; alternating tonality, atonality, polytonality, rhythmic passages and evanescent episodes, it creates graceful moments for Vanessa Wagner's piano, both alone and with the orchestra, without giving into the temptation of the traditional concerto style."

Orchestre national de Bretagne (Cond. Johannes Le Pennec), Vanessa Wagner (piano), Céline Milliat-Baumgartner (Narrator)

La Seine Musicale, Paris, FRANCE

L'Île des jamais trop tard

Seen and Heard International

"String techniques were cleverly and eclectically appropriated in an engaging and immediately attractive manner. One might actually observe that [...] it was positively catchy. The composer herself described her intention to provide a “joyous sprint through an off-kilter landscape”, and this delineation of purpose was amply achieved."

BBC National Orchestra of Wales

Hoddinott Hall, Cardiff, UK

Tourmaline

Buzz Mag

"[It] had the influence of dance/club music, giving the percussionists a workout in her Tourmaline. A type of stone may have influenced the music; certainly, it had charm and gusto."

BBC National Orchestra of Wales

Hoddinott Hall, Cardiff, UK

Tourmaline

The Guardian

* * * *

"The sonic explosions were akin to the sparks that start bush and forest fires"

UPROAR Ensemble

Arnolfini, Bristol, UK

we watch it burn

The Guardian

* * * *

"The pieces, though, were all new, themed to the venue and intended to draw in passing, unsuspecting audiences..."

Royal Opera House

St Pancras Station, London, UK

The Parting Place

The Telegraph

* * * *

"A marvellous day of opera at St Pancras that never once hit the buffas"

Royal Opera House

St Pancras Station, London, UK

The Parting Place

Broadway World

"The Royal Opera House celebrates International Women's Day with performance at St. Pancras International"

Royal Opera House

St Pancras Station, London, UK

The Parting Place

The Guardian

* * * *

"Her assurance in handling the textures was more than evident."

BBC National Orchestra of Wales

Hoddinott Hall, Cardiff, UK

Creatures of Dust and Dreams

Colin's Column

"... its exuberant and spiralling start turning into a subtle and varied web of sounds (including multiphonics) and expressions."

BBC National Orchestra of Wales

Hoddinott Hall, Cardiff, UK

Creatures of Dust and Dreams

Seen and Heard International

"... microtones are a dangerous tool in the hands of a composer... Here they became fully justified as an evocation of the ideas of dust and dreams, forming dimly glimpsed shapes which emerged from the textures only to dissolve again."

BBC National Orchestra of Wales

Hoddinott Hall, Cardiff, UK

Creatures of Dust and Dreams

Zibeline

“Its dazzling start [with] its menacing percussion and double bass ostinato… The last notes exploit unexpected timbres to evoke with arresting realism…”

Ensemble Télémaque

PIC, Marseille, FRANCE

A soul is more than a body is more than a number is more than

Buzz Mag

* * * * *

"Lewis' instrumental compositions served as a sonic backdrop... Atop a hill we listened via headphones, akin to a silent disco - the intimacy added to the performance's gravity and grandeur."

Daniel Morden, Hugh Lupton & Sarah Lianne Lewis

Beyond the Border Storytelling Festival, Dinefwr, UK

Stars and their Consolations

Musical Opinion

"There was a poised, formal beauty in the score's repeated phrases and fragile textures. The final section's inventive use of whistling and humming [...] brought the piece to an ethereal and haunting conclusion."

The Berkeley Ensemble

St David's Hall, Cardiff, UK

Sunflowers in Autumn

The Guardian

* * *

"... it was the players’ quiet whistling that added an intriguing extra texture before fading to an end."

The Berkeley Ensemble

St David's Hall, Cardiff, UK

Sunflowers in Autumn

Cambrian News

"... a meditation on the poignancy of Beethoven’s impending loss of hearing. Climbing higher and higher on the top E string, the violin at the work’s conclusion evoked the strange sounds the composer might have been hearing internally."

Mary Hofman & Richard Ormrod

Coleg Meirion Dwyfor, Dollgellau, UK

Until the thread breaks

The Guardian

* * * *

"... transported the ear to a world of its own"

UPROAR Ensemble

Chapter Arts Centre, Cardiff, UK

mind the gap

interviews and articles

INTERVIEWS & ARTICLES

Sortir a Paris

The Island of Never Too Late: The symphonic tale that tells children about the climate emergency

On Sunday March 12, La Seine Musicale presents a show for young audiences, accessible to the youngest. Embark on this underwater odyssey, in the middle of the North Atlantic and discover the fauna and flora of the oceans.

Paris Mômes

L’île Des Jamais Trop Tard

Parce qu’il n’est jamais trop tard (ni trop tôt !) pour découvrir et apprécier la musique classique, La Seine Musicale poursuit sa programmation familiale dans le cadre du Classique du Dimanche, sa série de concerts dédiés aux jeunes publics. Le concert du mois de mars fait la part belle à l’écologie, avec le premier conte symphonique environnemental.
(Because it's never too late (nor too early!) to discover and appreciate classical music, La Seine Musicale is continuing its family program as part of the Classique du Dimanche, its series of concerts dedicated to young audiences. The March concert gives pride of place to ecology, with the first environmental symphonic tale.)

Orchestre National de Bretagne

L’Île des Jamais Trop Tard: Un conte symphonique environnemental. (The Island of Never Too Late: An environmental symphonic tale)

Cette œuvre, écrite pour une récitante, un orchestre et un piano est un conte musical qui souhaite sensibiliser les spectateurs à la protection des océans.
(This work, written for a narrator, an orchestra and a piano, is a musical tale that aims to raise awareness among audience members about the protection of the oceans.)

Morning Star Online

2022 Contemporary Music highlights with Ben Lunn

Among numerous newly commissioned works, one particular composer stood out: Sarah Lianne Lewis. She is currently associated with the BBC National Orchestra of Wales (BBC NOW). Her work, Ocean of Stars, is simply astounding. It is scored for cello and a fascinating instrument called the digital harp.

Adverse Camber

Mapping together 3 stunning elements for an extraordinary experience

The creative team behind the immersive re-imagining of The Stars and Their Consolations spent two days at Ffwrnes Theatre earlier this month playing creatively with ancient stories, beautiful projected animations of the night sky, lighting and Sarah Lianne Lewis’s spine-tingling electro acoustic soundscape, complementing the poetry and depth of Daniel Morden and Hugh Lupton’s award winning storytelling.

The Guardian

St Pancras station to become an opera hall for International Women’s Day

Rail passengers to be treated to new train-themed micro-operas by female composers based on travellers’ tales

Royal Philharmonic Society

Introducing the new 2021-22 composers

We are pleased to announce the seven composers newly joining the 2021-22 RPS Composers programme, representing some of the brightest, most exciting voices in the UK.

South Wales Guardian

Over 65 artists part of Beyond the Border 2021 Festival at Dinefwr Park

Acclaimed storytellers Daniel Morden and Hugh Lupton have joined forces with one of Wales’ most exciting new composers, Sarah Lianne Lewis, to create a visceral, moving and profound storytelling experience.

Nevis Ensemble

Lochan IX | Salt-Starred Waters

Salt-Starred Waters was composed by Sarah Lianne Lewis, performed by Gabriela Jaros, and commissioned by Kim McAllister.

BBC

Instrumental Insights: Sarah Lianne Lewis, Composer Affiliate

She was named as our new Composer Affiliate during the recent BBC NOW Prom, but how did Sarah Lianne Lewis become a composer and what’s she most looking forward to about working with the orchestra?

Ty Cerdd

BBC NOW appoints Sarah Lianne Lewis as Composer Affiliate

Sarah Lianne Lewis is to become the new Composer Affiliate of the BBC National Orchestra of Wales.

Colin's Column

A Prom Full of Firsts for the BBC National Orchestra of Wales

Ryan Bancroft will make his debut as BBC NOW Principal Conductor at the first ever Prom performed from BBC Hoddinott Hall, Cardiff, on 8th September at 7.30pm. Ivor Novello Award winner, Gavin Higgins, to be announced as new Composer in Association and Sarah Lianne Lewis as new Composer Affiliate.

Wales Arts Review

Preview | UPROAR: Wales' new music ensemble

Wales’ new contemporary music ensemble, Uproar, is about to present its second performance studded with premieres and following a successful inauguration in 2018.

Ty Cerdd

CoDI Interview: Sarah Lianne Lewis

The CoDI Move composer talks about some of the inspirational experiences that have helped shape her work.

UPROAR

Meet the Composers - Part 1

UPROAR talks to Sarah about her work and what inspires her.

Wild Plum Arts

PRS For MUSIC collaboration

In March, six composers from across the UK and a range of specialisms were selected to take part in the Wild Plum Songbook, an innovative new career development initiative.

Bangor University

Ysgol Bro Lleu pupils to feature in Festival

Pupils will be using body percussion to create their own compositions at top festival in north Wales. 9 and 10 year old pupils from Ysgol Bro Lleu, Penygroes have been invited to take a significant part in an event at the Bangor Music Festival.

North Wales Chronicle

Sarah Lianne Lewis debuts latest work in Rhyl

The second première in unmissable series celebrating the work female Welsh composers is set to usher in the year with more incredible classical music.

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